All posts by Leslie Lang

The Hamakua Springs Perpetual Motion Machine 2010

Ha Ha Ha! April Fool!

Did we get you yesterday? Richard’s post about his project “PMM 2010” referred to a mythical “perpetual motion machine.”

The history of perpetual motion machines dates back to the Middle Ages. For millennia, it was not clear whether perpetual motion devices were possible or not, but the
development of modern thermodynamics has indicated that they are impossible. Despite this, many attempts have been made to construct a perpetual motion machine. Modern designers and proponents often use other terms, such as
over unity, to describe their inventions.

Wikipedia explains the history of perpetual motion machines, and wow, I didn’t know a lot of that.

The photo above is an engraving of Robert Fludd’s 1618 “water screw” perpetual motion machine.

  • The earliest designs of a perpetual motion machine dates back to
    1150, by an Indian mathematicianastronomer, Bhaskara
    II
    . He described a wheel that he claimed would run forever.[1]
  • In medieval Bavaria, the magic wheel or magnet wheel, was basically a wagon wheel that spun by itself. Magnets with lead plates on their backs were affixed to the wheel, like the seats on a Ferris wheel. Each magnet was attracted to a magnet affixed to the base on the ground. The lead allegedly blocked attraction as each magnet passes by it, so the wheel would keep moving for a time before friction stopped it.[citation needed]
  • In the 13th century, Villard de Honnecourt had a drawing of one in his sketchbook. Honnecourt was a French master mason and architect. The sketchbook is made up of mechanics and architecture.
  • Leonardo da Vinci made a number of drawings of things he hoped would make energy free.[2][3] Da Vinci examined a few overbalance wheels.[4] He also designed a centrifugal pump and the “chimney jack“. The chimney jack was used to turn a roasting skewer (a reaction-type turbine).[5
  • In 1900, Nikola Tesla claimed to have discovered an abstract method on which to base a perpetual motion machine of the
    second kind. No prototype was produced. The Serbian American Physicist Inventor wrote:
A departure from known
methods – possibility of a “self-acting” engine or machine, inanimate,
yet capable, like a living being, of deriving energy from the medium –
the ideal way of obtaining motive power.

 

That Wikipedia article goes over who has claimed to invent what perpetual motion machine throughout the centuries and all the way up to the present day. It is fascinating!

I keep wanting to copy parts of it over to show you here, but I had to stop because it just goes on and on about people claiming to have built a perpetual motion machine that worked who: received a patent/were flat out proved to be frauds/built something inspired by a series of recurring dreams and currently the subject of commercial research and investigation/built such a machine after an (alien?) abduction/left notes upon their death in 1958 that are still being studied today, and much, much more.

Richard’s PMM 2010 is not listed there in Wikipedia, so he must have been — HA HA HA! — pulling a fast one.

Happy April Fool’s Day, everybody.

Kalepa Baybayan – Navigator-In-Residence at ‘Imiloa

Kalepa Kalepa Baybayan is known as a “Master Navigator,” but when I talked to him the other day, it was clear the title makes him uncomfortable. He returned to it twice.

“I would disclaim being a master of anything,” he said. “I’m pretty much a student of the art. Though I have greater responsibilities, I still learn every time I go out.”

He was talking about going out on the Hokule‘a, which he’s sailed on since 1975, when he was 19. If there is anything more interesting than the story of the Hokule‘a, I don’t know what it is.

From Wikipedia:

Hōkūleʻa is a performance-accurate full-scale replica of a waʻa kaulua, a Polynesian double-hulled voyaging canoe. Launched on 8 March 1975 by the Polynesian Voyaging Society, she is best known for her 1976 Hawaiʻi to Tahiti voyage performed with Polynesian navigation techniques, without modern navigational instruments. The primary goal of the voyage was to further support the anthropological theory of the Asiatic origin of native Oceanic people, of Polynesians and Hawaiians in particular, as the result of purposeful trips through the Pacific, as opposed to passive drifting on currents, or sailing from the Americas. (Scientific results of 2008, from DNA analysis, illuminate this theory of Polynesian settlement.) A secondary goal of the project was to have the canoe and voyage “serve as vehicles for the cultural revitalization of Hawaiians and other Polynesians.”

Since the 1976 voyage to Tahiti and back, Hōkūle‘a has completed nine more voyages to destinations in Micronesia, Polynesia, Japan, Canada, and the United States, all using ancient wayfinding techniques of celestial navigation.

The next Hokule‘a voyage, now in the planning stages, is going to be a doozy: They’re planning to take the voyaging canoe around the world. The Hokule‘a is going to circumnavigate the globe, and it will probably be a two- to three-year voyage, he said.

“As ambitious as that sounds, explorers have been sailing around the world for a couple hundred years now,” he said, “so it’s not something so far out there it’s not achievable.”

“In my very early years, looking at that traditionally shaped sail cutting across the night sky,” he said, “that’s a pretty compelling vision for a young man to see. I look up there and realize that silhouette I’m seeing is probably the same one my ancestors saw.

“The excitement, amazement, the loneliness and happiness of finding land – it’s timeless. That’s universal. So you get really close to experiencing the world and the environment in the same sense your ancestors did.”

Richard wanted to know if Kalepa navigates the canoe by the ocean, looking up at the stars, or whether he sees himself as traveling in space – in the stars?

Kalepa thought about that before answering. He said he just sees the canoe pointing in a certain direction, and things moving by it. “I don’t really experience it as the canoe being moved by nature,” he said. “Rather I see nature moving by us.”

When not at sea, Kalepa is Navigator-in-Residence at ‘Imiloa Astronomy Center in Hilo. Isn’t that a great title? “They had an Astronomer-In-Residence and they wanted a Navigator-In-Residence too,” he explained.

‘Imiloa, of course, is where we “celebrate Hawaiian culture and Maunakea astronomy, sharing with the world an inspiring example of science and culture united [my italics] to advance knowledge, understanding and opportunity.”

Kalepa and the interim executive director, Ka‘iu Kimura, are both graduates of the Hawaiian language college, and Kalepa said there’s an indigenous model of leadership emerging at ‘Imiloa.

“One of the great things about ‘Imiloa is that it’s exposing us to the national and international communities,” he said.

About a year and a half ago, he and ‘Imiloa Planetarium Director Shawn Laatsch were invited to speak at Athens and Hamburg planetariums. “There is a curiosity about indigenous astronomy,” he said, “and the story of voyaging is a really compelling story. And the context is to have Shawn speak to the [astronomical] exploration being done on Mauna Kea.”

He said while he’s really happy with where Hawai‘i’s voyaging knowledge is at, there’s still a lot of work to do. “We experimented with what we were doing,” he said. ‘We learned and we gathered the info. Now it’s a matter of, How do we teach it in an effective way? Who are the teachers?

“It’s one thing to have a conversation with canoe people who travel together all the time, but trying to talk to a new generation, that’s a different kind of process.”

This seems to be another place ‘Imiloa comes in.

“We need to make a connection to the STEM program,” he said, “to science; that encourages young learners to follow the tradition of navigation; not to be navigators, but to follow the tradition of exploring.”

“My largest responsibility,” he said, about his role at ‘Imiloa, “is that the internal compass of the organization be aligned to the horizon we want to move toward.”

And The Winner Is….

Here is the photo for our photo caption contest again:

Chickens

We have a 1st place winner, and three people who tied for second place.

Richard is a generous soul with a good sense of humor, and so he’s going to be packing up four boxes of fresh, delicious Hamakua Springs vegetables.

1st place:

  • Rodrigo Romo. “Listen up kids, you’re about to learn why we cross the road, remember, no one can know about this…..”

2nd place, a three-way tie (in alphabetical order):

  • Kanani Aton. “Gosh darned it, now where did I put those keys?”
  • John C. “If we all work together I think we can get into that Sweet-Sour Lemon Peel jar behind me.”
  • CTarleton. “Double Wing Right 35 Quick Trap – Go chicks!”

Each of you can pick up a prize box from Richard at the Kino‘ole Farmers Market any Saturday morning. Please let him know which Saturday you’ll be there, so he can have the box ready for you, by emailing him ahead of time at richard@hamakuasprings.com.

Congratulations to all that entered and thanks for the laughs! You guys are great.

Kaiu Kimura: Of the Next Generation of Hawaiian Leaders

Pacific Business News recently wrote about Ka‘iu Kimura: People Who Make Hawaii Work: Kaiu Kimura.

“Ka‘iu is representative of the next generation of Hawaiian leaders,” says Richard.

“I saw her defend her convictions at public hearings having to do with the Comprehensive Management Plan for Mauna Kea,” he says. “She is very strong, and it’s why I support her as strongly as I do. I could not be more proud of her.”

The Waimea-born and -reared Kamehameha Schools graduate is, at age 31, interim Executive Director of Hilo’s ‘Imiloa Astronomy Center.

I had a chance to speak with Ka‘iu the other day.

Q. When did you start at ‘Imiloa, and in what position?

A. It was the Mauna Kea Astronomy Education Center then, in 2001. I was hired as a research assistant to help develop Hawaiian content.

Through the exhibit development phase, there were a lot of discussions, meetings, and focus groups with various community stakeholders and experts. It was a real educational process for me. For the first time, members of the Hawaiian, astronomy and business communities had to sit down and plan this center that was going to be for the general public, with a mission to really excite local youth about science and technology and the opportunities that exist here on the island. And also to talk about Mauna Kea and its uniqueness with all these different communities – particularly Hawaiian and Astronomy communities.

Q. What were the challenges?

Everybody had different ideas and different interpretations about what the center needed to be, and how to communicate to the community. It was valuable and difficult all at the same time. It got to be really challenging at the end.

In 2006, when we opened the doors, that was a major step. We’d made it through the planning stage and we had a product; something that came out of all that, because of the collaborative approach we took.

Q. What are you working on now?

I just came back last week from a conference in San Diego. It was about bringing Native American people together with scientists and the science center community.

We shared the process of how we built the center. You don’t have to divorce yourself from your culture or from your cultural values if you’re interested in pursuing science and technology. In fact, because you have those values and that cultural perspective, you can enrich the direction science is going. It made me realize more so that ‘Imiloa has a responsibility to take this kind of perspective to the science community.

I know there will always be a variety of opinions about any future development on that mountain. Many opinions won’t change; they’ll stay the same. But the goal is about relationship building. Coming to the table and saying what you need to say. To help educate both ways. Sharing with the community is about. The average person has been left out of that conversation in the past. The role of ‘Imiloa is to open up the conversation to more people.

It’s all a part of the education process. If people don’t understand about that mountain, and why it’s so revered and unique, then how can we say we’re all about educating the youth and getting them excited about science?

‘Imiloa is here because Mauna Kea is such a special place. I think it’s all about the kuleana thing. Go after your dreams and ambitions, but also understand the community you come from and the history, and know you have the kuleana to give back to it.

Q. What are your next goals?

Our big goal is to increase our attendance. We’ve had a wonderful growth in attendance. We average 53-55,000 people a year. Eighty-five percent are kama‘aina. That’s been great. Our challenge is, and will always be, to create fresh programs and activities and exhibits and planetarium shows to keep our kama‘aina people engaged and wanting to come back for more. That’s a major priority.

We also want to grow that 53-55,000. We want to double that. Our core mission will always be to inspire and excite the youth of Hawai‘i, our next leaders. And we’d also like to increase our offshore numbers, and impact the rest of the world. We think Hawai‘i can really serve as a strong model internationally.

Q. What would you like people to know about ‘Imiloa?

What is unique about ‘Imiloa is that it’s a result of massive collaborative effort of people in the community. I’m very, very aware we have a lot of work to do, and that there are a lot of ways to strengthen what we have. But I think it’s a very good first step to sharing the Hawaiian culture, and in bringing our culture together with science and in particular with astronomy.

‘Imiloa shares a great story of exploration. That’s what ‘Imiloa means: To explore, seek new knowledge, make new discoveries, new landfall. It’s a great place to come and learn about exploration, and how people in Hawai‘i have explored in the past, and how it continues today and for the future.

It’s unique to us here in Hawai‘i, but also, on a human level, every culture has histories and culture and innovation. It’s about tying those together with where we’re heading in the future.

It’s Another Caption Contest!

Remember our first caption contest? It was last April, and it was a kick.

Here’s another one.

And here are the details: Leave your caption in the comments to this post by Sunday, 2/28/10 at midnight. The winner will be announced in a blog post here on Monday, 3/1, and will receive a box of the freshest and tastiest Hamakua Springs produce. Having been the occasional recipient of one of those boxes, let me assure you that they are really wonderful.

You shouldn’t enter if you are a close family member of Richard’s or mine, because that just wouldn’t be right and no matter how funny you are, you won’t be selected as a winner. Other than that, we’ll read ’em and we’ll choose the one we like best. Straightforward.

Here’s the photo. Go to it!

Chicken

 

Update on Punahou Class’ ‘Project Citizen’

Do you remember the 8th grade class at Punahou School in Honolulu, which wrote to Richard about its class project?

From the email Richard received back in November:

My name is L.T. [name removed]. I’m a 14 year old. I’m a 8th grade Punahou School student. Wanda Adams from the Honolulu Advertiser, recommended you to me to answer some questions on a project my class is doing. The project is called project citizen, we choose a problem in our community, research the problem, and then as a class act on the problem. The problem my class chose is that many local farms are struggling because Hawaii is too dependent on imports from the mainland and around the world. Wanda Adams told me that you know a lot about this topic. I have some questions for you about this it if you won’t mind answering….

Richard recently emailed again to see how they’re doing. Here’s their exchange.

Hi L.:

How is your class doing with project citizen? I have told a fair number of folks about what your class is doing. Reaction is overwhelmingly favorable. People find it inspiring.

Aloha,
Richard

Dear Richard,  

So far, my class has made a lot of progress. My class has come up with a public policy of trying to urge the State to not have an excise tax for Hawaii’s local farmers. And our civic action (something my class is going to do) is hand out wristbands to people to remind them to buy local and, have them sign a contract to pledge that they will try to buy local as much as possible.

My class has contacted a few of Hawaii’s Senate members and House of representatives members to try to get them to pass SB1179, a bill that is similar to our public policy which we want to have as a bill in the 2010 Legislative Secession. SB1179, (National Farm to School program) is a bill that relates to our class project. If passed the National Farm to School program will be taught in all of Hawaii’s public schools, and will teach students about how important local farming is, it will encourage students to eat a healthy diet, and it will have the public school cafeterias provide as much local foods to the children for meals that are bought from local farmers.

If you would want to know more about this bill, here’s the link. I hope this bill or our proposed public policy bill will get passed through Hawaii’s Legislature this year.

Thanks,
L.

Honolulu Magazine Article Singles Out Hamakua Springs Tomato

For your reading pleasure, an article about Alan Wong’s Restaurant in Honolulu that opens with “one perfect red tomato from Richard Ha’s Hamakua Springs Farm on the Big Island.”

Read the Honolulu magazine article here.

Learn more about Alan Wong’s Restaurant here. (Hey, Richard’s picture with Chef Alan is on the home page now! That’s new since last I looked.)

Review how Richard got named “Uncle Tomato.” (Call him that at your own risk if you are more than 2 years old. Well, 5-1/2 now; that’s an old post.)

Michelle Galimba & Kuahiwi Ranch

Richard told me he is very impressed with what Michelle Galimba and her family are doing in Ka‘u, and so I thought I’d give her a call and learn a little more.

Michelle galimbaMichelle (left) and her family

I learned that Michelle grew up on dairy farms in Ka‘u and then lived in Haleiwa on O‘ahu, where her dad worked for Meadow Gold Dairies. These days, she and her family own and run a cattle ranch in Na‘alehu.“There’s a little bit of irony in the name,” she told me about their Kuahiwi Ranch. “Kuahiwi means ‘mountain,’ but the other meaning is ‘back country,’ like ‘the sticks.’”

To some people, Ka‘u has that sort of back country reputation. Michelle says she thinks people in Ka‘u are starting to rethink values, though, such as of its traditional culture, and that the lifestyle of Ka‘u is becoming more and more relevant.

“If we can find success stories for people in Ka‘u,” she says, “I think that goes a long way in changing other people’s perceptions and also our own, for ourselves.”

She mentions the coffee industry that’s recently sprung up in Ka‘u. “My friend Chris [Manfredi] started talking with the coffee farmers and thought their coffee was really good. He entered it into this international competition and it did really, really well. People were just so thrilled.”

She is one of the organizers of this year’s Ka‘u Coffee Festival, which will be May 1st and 2nd.

“There’s starting to be a stable of agriculture products in Ka‘u that are premium and interesting and something people can be proud of,” she says. “It’s what I’m hoping for with our beef. That we can get other ranchers involved with it and build up this market for it.”

Kuahiwi Ranch started in 1993, about the time the sugar plantations were going out and sugar cane lands were becoming available. It’s operated by Michelle’s parents, her youngest brother and herself, with age-appropriate help from her daughter and her brother’s three children (who range in age from 8 to 13).

They raise cattle for beef on 10,000 acres between Wood Valley and Waiohinu. Their cattle are free range and grass fed, and the cattles’ diet is also supplemented with grain.

“It’s a little different from grass-fed beef,” she explains. “If you just feed the cattle grass, the tenderness varies. Our beef is a little bit more expensive, but it’s more consistently tender.”

From the Kuahiwi Ranch website:

With the growing public interest in eating local and sustainable food systems, Kuahiwi Ranch decided to offer the public the best beef we know how to produce — beef that is tender, mild-flavored, and of consistent quality, but also raised naturally and humanely.

Our cattle always have plenty of room to roam and green grass to eat, but they are also given access to a grain ration for approximately 90 days.  This grain ration consists of three natural ingredients — corn, barley, molasses, that’s it.  It’s kind of like granola.

Since the late ‘70s, most Hawai‘i ranchers ship their cattle to mainland feed lots, which has been the most economically efficient model. In the last three or four years, says Michelle, as corn and transportation prices have risen, things have changed and it’s become more viable to keep cattle here.

There is little infrastructure here, though, to process the beef, and until recently there wasn’t a market locally for grass-fed beef.

She says you cannot get local beef at any supermarket on O‘ahu, and that this is a focus for Kuahiwi Ranch right now. “But everything is set up to come over in a container from the mainland,” she says. “It’s what everybody’s used to working with.”

“It’s an ongoing struggle on all kinds of fronts, and in the industry as a whole, to get it to work,” she says. “On the other hand, there’s a lot of enthusiasm – from chefs and people at the farmers’ markets. That’s kind of what keeps us going.”

Here on the Big Island you can buy their beef at KTA, where it’s sold under the “Kulana Natural” and “Mountain Apple” labels. She also sells their product, under the Kuahiwi Ranch name, at the Na‘alehu Farmers’ Market on Wednesdays and at the Volcano Farmers Market on Sundays.

Somewhere in the midst of all that dairy farm living and cattle raising, Michelle went to UC Berkeley and got a PhD in comparative literature. It’s a little jarring in its dissonance from what she does now – the ranch’s marketing as well as its accounting, though she says her favorite thing is to get on her horse and drive the cattle – until she is asked about her thesis, which was about an 11th century Chinese poet named Su Shi.

“He was this academic superstar,” she says, “and in China if you were really good in literature you rose through politics really quickly. He became the premier, running the whole country, but then he was exiled to, like, Ka‘u.” She laughs.

“He wrote a lot of poems about having to grow his own food and how rewarding that was,” she says.

I get the impression that Michele and Su Shi would have gotten along.

Keaukaha School – ‘Really Something Else’

Richard and June just attended the “Evening of Song” holiday program at Keaukaha Elementary School, and he told me that when it was over and they came out of the program, they were both amazed.

“It was the most fun thing,” he said. “We couldn’t believe it. I don’t know how often you see a principal of a school with an ‘ukulele out in the front, dancing. We came out pretty happy, both of us.

Kumu Lehua's Mom

June at left, with Principal Kumu Lehua Veincent and his mother

He said another thing that really struck him was the Santa Claus. “The Santa came out boogying while carrying his boogie board in one hand,” he said. “He had the beat, and stayed with it, spinning around and punctuating the beat with his rubbah slippahs, waving to the crowd as he made his way to his Santa chair.

“How could kids be afraid of a dancing Santa Claus wearing rubbah slippahs and carrying a boogie board?” he said. “They loved him; you could see it in the tiniest ones’ faces. When he sat down and the kids came to sit on his lap, they were not afraid of him. You cannot be afraid of someone in rubbah slippers.”

Santa&girl

During the program the school recognized Ilde Aceret, a custodian retiring after 27 years of service; Aunty Momi Wakita, for starting up the Evening of Song several years ago; and Ed and Irene Kozohara, retired teachers who volunteered for many years to give the keiki ‘ukulele lessons.

“You can just see the values at that school,” said Richard. “You can see that the community there is really tight. They are really basic, down to earth, solid values. When you see the folks being recognized…. that janitor, she’s very important. If everybody there had had shiny shoes on, I don’t think the janitor would have been up there being recognized.”

“Just the look at how the community interacts – it’s no wonder the school is doing so good.”

Then Kumu Lehua called up Richard and June. “June and I were totally surprised to be called up,” he said. “We recognized that it was in appreciation of the folks that fund the Adopt-A-Class project, which sends that school’s keiki on excursions.”

Counting the people that were outside the gym, Kumu Lehua estimated there were about 750 people there.

Each class sang during the program, with what Richard said was only minimal backup. “We all know there are lots of entertainers in Keaukaha, but it was just an ‘ukulele and a bass. The bass was way in the background but kept up a nice beat. It made them look and sound almost professional. They’re starting at a high level, not a low level.

“When they did the introduction chant, it was three or four times more enthusiastic. Those voices were STRONG. There was no loudspeaker; they didn’t need it, the voices were strong.”

“The school, the parents, they cannot force that. It was something else.”